Sairat. Review on Sairat

Director and writer Nagraj Manjule, a "love story" This is the second call feature. It really is epic in terms of photography and music. Sairat in front of a lot of writing, but Manjule Fandry was turning out the way the script was not satisfied. I agree that I am satisfied with the script, especially the climax was not offered. The first part of the film is a brooding, compassionate thriller between two adolescents and twists, the overflowing romance around the heavily revolves. The camera has been handled carefully and craftily, Jeur Manjule village in Solapur district of residence scenic, down-home local color projected. His previous installment, Fandry, was shot there, too. That seems to be the closet of his comfort zone and onto the big screen in rural Maharashtra exciting and have a tremendous flash of color in the drawing. The background score as well as the title of the song is a combination of western classical instruments and Marathi film that is brilliantly soulful. Each character woodnote start wandering through the sugar cane fields, they love that left the audience amazed romanticising.