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93%
4.15 

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Khakee...flawed, but entertaining...
Jan 25, 2004 12:30 PM 1917 Views
(Updated Jan 25, 2004 12:30 PM)

Plot:

Performance:

Music:

Cinematography:

Here is a Hindi movie (after quite some time) that is designed as a


regular masala entertainer, but which, in spite of some glaring


flaws, manages to prevent itself from sliding into complete inanity.


Yes, it does suffer somewhat from the ''where do we go after the


first half'' syndrome, but thankfully, the second half is still


engineered well enough to entertain and hold the viewer's interest


even if only in parts...which means that even though far from


perfect, it is definitely worth seeing.


The first half is well done. It is well writen and well executed.


The narrative is fast, slick and gripping with some well-woven


twists and holds the viewer's attention abundantly. The story is


tightly knit and proceeds at an ideal pace. The tension present on-


screen is palpable. The action sequences are well-executed,


especially the one involving the cattle fair. The introduction of


the main characters is done adroitly and with just the right amount


of screen time. The dialogues are pretty much relevant to the


situations and thankfully bereft of any heavy duty melorama. The


humour is contolled and well-timed and does not disrupt the


continuity. Pretty close to an ideal first half for a Hindi thriller.


Which brings us to the second half, where suddenly Raj Kumar


Santoshi loses his grip on the narative, making it hurried and


contrived and the movie slowly begins to become tedious. Cliched


situations combine perfectly with cliched dialogues one after


another (good guy being surounded by mob talks them down with a


speech, bad cop turns into good cop after being given the


usual ''integrity-honesty'' lecture etc. etc.) with all the good guys


becoming the usual examples of do-gooder egotism. The action too


deteriorates to the extent of becoming laughable at some


places...watch out especially for the glaring, visible presence of


wires in quite a few high flying sequences. But gratefully, there


are enough moments reminiscent of the first half to partially


preserve the viewer's interest. The main twist towards the end can


be surmised quite some time before it actually happens and does not


really account for any thrill. However, the last scene of the movie


itself is fairly perceptive and significant, but a somewhat poor


execution and Santoshi's need to explain it in words instead of


letting the viewer be his own judge ruin the effect in part.


Aside from the first half, where Santoshi really scores is with the


casting. Amitabh Bachchan is perfect as the blend of a cop sidelined


throughout his tenure and a man who has only been a witness to his


family's life thanks to his professional commitment, a person who


looks at his entity as one big failure and who has that one last


shot at making his life worth something. The exquisite combination


of pain, self-doubt and determination that he brings, especially in


the scene where Akshay Kumar admonishes him for putting everyone's


lives in danger is exceptional and further qualifies his status as


one of India's best actors ever. Akshay Kumar is not really a great


actor, but Santoshi makes him look perfect by giving him a fully


tailored role. Tusshar Kapoor is tolerable which is saying a lot for


him, and Santoshi uses his pasted innocent look resourcefully.


Sabhyasachi Chakraborti, who comes from Bengali cinema, manages to


skillfully bring depth to what would otherwise have been a very


steeotypical role. Aishwarya Rai is just about passable, and as


usual does not bring anything special to the role...really can't


figure out all the hype that has surrounded her recently. Ajay


Devgan does not have much to do other than look the part of the


villian and he does that just sufficiently well. Even though she


only has a couple of scenes, Tanuja delivers with extraordinary


power, brilliantly etching emotions with her eyes. Lara Dutta (in


the item number) flaunts and shakes her well-endowed assets enough


to make up for the lack of fluidity and grace in her dance. The rest


of the cast is adequate. The cinematography is good, and so is the


background music. The movie could have done without any songs but


their presence is not much of a distraction.


Final word: All in all, Khakee entertains in spite of its flaws and


inadequacies and is definitely worth watching.


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