When we come upon him first in his second film, ‘Baaghi’, we see Tiger Shroff upside down, balancing his full weight on a thumb and forefinger. It is an impressive sight, to see someone so fit, so agile, so much in command of his body.
It is the money shot of the film. Whenever we see Tiger doing something that involves his hands, legs, torso, head, all moving in perfect sync, scything up, slashing down, revolving on the balls of his feet, we are watching: it is a pleasure to see this young actor move, no jerk, all flow. When he is in action, that is. When he is ‘acting’, he is still clearly a novice.
