Awesome. Review on Spectre

British secret agent James Bond( Craig) discovers that a vast international terrorist/espionage organisation has been behind many of the villains he has faced in the recent past. With MI6 falling under the control of a surveillance-obsessed bureaucrat, Bond has to disobey orders and strike out on his own against Spectre.

Having handled Skyfall, the 50th anniversary entry in the 007 series, Sam Mendes is back for Spectre, a direct sequel to the earlier film — a vital clue is found in the burned-out ruins of Skyfall, Bond’s childhood home — which also picks up story threads( and the odd character) from Casino Royale and Quantum Of Solace and retcons Daniel Craig’s run as James Bond into one slightly wonky super-saga. Since it’s part of the Bond remit to evoke the franchise’s past, this does for Craig what You Only Live Twice did for Sean Connery, down to the welcome return of the evil white cat stroked by the head of Spectre throughout the 1960s.

After three films more rooted in real-world worries than Pierce Brosnan’s mostly fantastical vehicles, Spectre relaxes a little( even if it debates the ethics of surveillance and the relevance of licensed-to-kill boots on the ground in an age of drones) . Craig doesn’t get Connery-Moore quips, but allows much more wry humour to sneak into his hardman-in-a-suit hero. When a beautiful woman mentions that the astonishing scenery( and art direction) of her mountaintop clinic can be a distraction, Craig’s smooth throwaway as he focuses intently on her( “Really? I hadn’t noticed”) is typical of the kind of laugh only he can get. Roger Moore would have arched an eyebrow, but Craig is funny because he doesn’t wink at the audience — but can also turn off the charm when it’s time to throw someone through a window.

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