Shorgula. Review on Shorgul

It takes special kind of talent to make a film as contrived as Shorgul. Based loosely on 2013's Muzzafarnagar riots, the makers attempt to bring forth the psyche behind misguided divisional politics. But the writing trivialises its noble purpose. An entire town is reduced to rubble just because of one love story gone wrong, is stretching your imagination too far. We could've bought it had the director delved deeper into the scheme of things. Bollywood’s record of making political films is abysmal. At least on that front, Shorgul ventures into a territory that remains largely unexplored. The wounds of Muzaffarnagar are still fresh, albeit not felt as much as it should have been. Shorgul ’s attempt to show the ‘truth’ about Muzaffarnagar riots is therefore well-intentioned. But as a story being told on screen, it is hopelessly below average. The characters are cardboard cutouts: the villainous power-hungry hypocrites Ranjit Om(Jimmy Shergill) and Maulana(Abner Reginald), or the good Hindu(Ashutosh Rana) and good Muslim Zainab(Suha Gezen). As a result, the film becomes unbearable towards the end when the riots break out after a decent build-up in the first half.

The film’s second half is all sound and fury; full of preachy lines like, “ Duniya mein sirf ek hi dharm hai aur woh hai insaaniyat(There is only one religion in the world, humanity)”. Worse, in scenes where we are supposed to be sad or angry at the horror that goes on in the name of religion, there are moments of unintentional hilarity because of bad acting and execution. For instance, the scene in which Rana and Gezen’s car crashes into a tree, where the skullcap-sporting driver, thought to be on their side, breaks into an evil smile.

The only time that I was mildly engaged with the characters, and where the story seems to go somewhere, is when a love triangle emerges between Saleem(a very good Hiten Tejwani), Zainab(Gezen’s performance goes from bad to intolerable) and Raghu(a passable Aniruddh Dave). Quite unexpectedly, the love story becomes the heart of the first half, making us care for the characters and wonder: how is it is going to culminate into the riots?

Shorgul ’s release was postponed because of political pressure. To its credit, the film bluntly takes on real-life references with slightly modified names. Shergill’s Ranjit Om is of the Bharatiya Janatantra Party(modelled on Sangeet Som of BJP) whose speeches evoke history to fuel hatred toward Muslims. While the Narendra Jha character, Alim Khan alludes to Azam Khan. Amid all this, the film has a surprisingly soft stance on the Uttar Pradesh Chief Minister Akhilesh Yadav(Sanjay Suri as Mithilesh Yadav), who is shown as a thoughtful, responsible young CM.But brave, politically potent references can hardly substitute for good characterisation and some dThough the debate between Gandhian values versus politics based on religion is interesting, the makers scratch it only at the surface. The writers keep themselves busy in killing one character after another. Expecting the film to paint a comprehensive picture of the communal feelings of common people or offering a solution to the general animosity that triggers tension every time there is a mishap, is clearly expecting too much.

Is the film gritty? No. Is it emotional? No. Is the love story worth the bloodshed? No. Is it worth your money? You know the answer. Give this frivolous fare a miss!ecent writing.