Raman Raghav 2.0 movie review: There are some mesmeric bits in here, which belong to Siddiqui. But those are not enough. Without those crucial elements, the film is rendered atmospheric yet hollow, and we are turned into cringing voyeurs, into reluctant participants, without
redemption. The film is based on the story of the notorious Raman Raghav who infested the streets of Bombay ( now Mumbai) in the mid-to-late 1960s. The serial killer who confessed to doing away with more than 40 people, was the subject of Sriram Raghavan’s film in 1991. Kashyap’s contemporary retread is a return to familiar dark territory — kinetic hand-held camerawork in the slushy slums and narrow alleys, which he has been using since Black Friday, whose unforgettable chase scene is replicated here too, but not with such acuity.