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3.80 

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Sorry Mira - the book's better!
Mar 26, 2007 06:12 PM 3085 Views
(Updated Apr 02, 2007 01:09 AM)

Plot:

Performance:

Music:

Cinematography:

Went ahead to watch it just for the sake of the book - and out of my


own curiousity of what Mira Nair had made of it, and especially after


the


encouraging response from the film fraternity and international


festivals. So here I am, sitting in front of the computer, hours after


moving out of the theatre. And this time I would want to present my


review in a sequential, orderly, systematic format (its good


to be done that way once in a while ;) ).


Story: The film traces the life of an NRI family living abroad


for a major part of their life. The opening sequence shows Ashok


Ganguli, a student at that time travelling by train - going through the


pages of the collected works of fiction of Nikolai Gogol, a Russian


writer. A near fatal accident causes him to move to America with wife


Ashima and settle there permanently. That sounds strange, right? How


that happens - for that you'll have to watch the movie. Moving ahead,


Ashima give birth to a baby boy and they decide to give him the pet


name of Gogol, which eventually becomes his good name. He grows up and


continues to detest it and feel ashamed of it among his fellow class


students till that time when he learns from his father how he earned


this name. Later, he falls in love with a firang girl and


starts living with her, thereby slowly drifting away from his own


family. Meanwhile, Ashima also begins to stay alone as her husband is


forced to stay away in a separate apartment coz of his job. Few


days later, she hears a terrible news which turns the lives of all


people involved upside down. And thus follows a journey of self


realization and going back to one's roots.


A critical analysis: I couldn't help feeling at the end that I


was


a bit dissapointed, coz I still consider the book to be better; just


cant get the characters, that Jhumpa Lahiri brought alive in her


marvellous narration, out of my mind. It was tough for me to aloof


myself from the lives of Ashima and Ashok. Throughout the book I was


feeling a part of their own lives as I kept on proceeding with it.


Maybe it were these high expectations which


somewhat ruined the impact as I was expecting things to unfold the same


way I had wanted in the film. Instead Mira Nair's film is rather based on the book


rather than a sequential take on Jhumpa Lahiri's marvellous work.


The initial portions, including Ashima meeting Ashok and his parents


for the first time, and the ones involving Ashima's struggle to come to


terms with the American lifestyle, hint towards a great film; some


quality cinema. But as the scenes unfold, the film turns out to be too


artistic, too subtle, and too slow for even some of the audience


who prefer watching meaningful cinema, mainly coz its is devoid of any


dramatic or overtly sentimental moments. Though this subtelty can be called its strong


point by one section of the multiplex audience, its can be a major flaw for some. Furthermore, those who


have read the book may also find


the initial happenings in the story too fast paced. Not entirely Mira's


fault, coz its tough making a 2 hour film out of a 300 page novel.


However, the film appears stretched in its latter half even though its just 2 hours long.


People may ask the question what was the need of Moushumi's character at a time when


the film should have been heading towards its climax. and what does it


contribute to the story? Yes, it was an important character in the


book, but only if they had given it its due importance in the movie, it


wouldn't have appeared forced according to the hardcore critics.


Well, whatever the case may be, its only those light hearted situations


and moments created between the couple in beginning which stay with you


till the very end


Performances: Two brilliant actors. Two actors who carry the


film on their shoulders and deliver arguably their best performances


ever. Need I say more? Tabu's awesome performance wasn't much of a


surprise as the role seemed to be tailor-made for her; but its Irfaan


who stood out with his restrained and wonderfully nuanced portrayal of


Ashok Ganguli. He actually lived the character. Karl Penn as Gogol was


impressive as well.


Scenes I loved watching: I must admit that Namesake had its fair share of sequences worth remembering. I would list some of them here:


1) When Ashima tries wearing Ashok's shoes and then meets him and


his parents for the first time. It leaves you with a smile on your face.


2) Ashok's explaining to his wife about using the American gas.


3) Ashok apologizing to Ashima after their bitter sweet quarrel. It was really sweet :)


4) Gogol and Sonia's visit to Calcutta, when Sonia can't wait to get back home.


5) Gogol introducing his girlfriend to his mom and the look on the


latter's face, especially when she calls Ashima by her first name; and


later kissing his dad. It was funny!


6) When Ashima learns of the terrible news on phone. Superbly acted by Tabu!


7) The last 15 minutes.


Overall: Namesake would be remembered more for its


performances of the lead actors rather than being a Mira Nair film. It


was these performances which lift the film to a high level. Not that


the film itself was bad, but could have been better.


I may be wrong, do let me know if I am.


Thanks for reading,


Pranay


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