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4.14 

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Michael. Dear Michael
Feb 20, 2008 02:12 PM 1963 Views

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Music:

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Michael Clayton the directorial debut of Tony Gilroy


is not your typical legal thriller, it falls more in the visceral thriller


movies like “Network” and “Constant Gardener”. The film manages to grab our


attention immediately and without the normal recipe for a thriller movie.


Michael Clayton isn't a revelatory film, but it is a smart one that deals in


the grey world that we all live in, not the black and white one legal film are


usually about.


The movie starts off with a fantastic monologue from Tom Wilkinson, some


unexplained shots of characters in a degree of stress and an explosion to cap


it all off, your attention is gripped. Michael Clayton(George Clooney), a


"fixer" at a major Manhattan


law firm. His job profile is that of cleaning up other's messes, not litigating


in a court room, He calls himself a “Janitor”. Things are not looking good for


him right now: his addict brother has run a business venture that Michael was


a partner in into the ground, leaving Michael with thousands of dollars in


debt; his relationship with his ex-wife is on the rocks, He hates the work, but


the senior partner at the firm, Marty Bach(Sydney Pollack), wants him to stay


and  assigns Michael to restrain Arthur


Edens(Tom Wilkinson), who is a lead attorney for a major case for the firm


involving U/North, a huge, multifaceted corporation, has discovered startling evidence


and  begins plotting to publicly expose


U/North, something that U/North's lead corporate attorney, Karen Crowder(Tilda


Swinton) cannot allow and  begins looking


at far more dangerous methods of containment. This is all I can say without


spoiling the movie.


Michael Clayton is a thriller that works


at a slower pace, but still manages to enthrall with its developments. Critical


to the film's success is its performances. George Clooney gives us a Michael


who feels many aspects of his world closing around him and tries to keep all


the balls in the air. Finally, Tilda Swinton's Karen Crowder is a woman who is


all about appearance and ensuring that no one rocks the boat of U/North. She


has sold her soul to the devil and will do anything to keep the company intact.


For me, the one actor in this movie who comes close to a scene-stealing


performance is Tom Wilkinson, who does a fantastic job at delivering Gilroy's sharply-written


and very particular dialogue while portraying his character's bi-polar


disorder. He has been nominated for best supporting actor [Deservingly, though


its looks unlikely for anyone but Javier Bardem to win that one].


Michael Clayton is certainly not everyone's cup of tea. It requires a strong


attention span and does not spoon-feed the audience. If you can handle that,


then it is a film experience that will provide some rewards


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