Legend of Acting. Review on Kabali

I’m afraid there’s no other way to say it: Kabali is a drag. And that’s because the man, oops, the Superstar of Superstars, a phrase used for Rajinikanth minus any irony, comes off same-old.

Everything that Rajini does to spark untold hysteria amongst his die-hard fans is in here: the dress code( three piece suits), the dark glasses, the lines only Rajini can say, the kicks and punches only he can deliver. But the formula is now frayed and tired: there’s neither swag nor swagger.

There comes a time when even Rajini has to reinvent, and this is it. He has been playing In and As to such adulation for so long that his directors have long stopped bothering about such things as plot and characterisation. When Rajini is on and at it, who cares?

Actually, let me amend that. Kabali does make an attempt at a plot. Kabaliswaran aka Kabali is the firebrand leader of a group of Tamil indentured labour in the Malaysian rubber plantations. A skirmish between the owners and the labour turns into a tragedy, and Kabali transforms from regular guy into an grizzled gang-boss.