After you sit through very nearly two and half hours of a motion picture you have seen some time recently, you need the activity to be predominant than the first. You need to story to get to the heart of the matter speedier in light of the fact that it's just the same old thing new. You need to comprehend why the cops talk as if they never went to class.
You do get Priyanka Chopra however. She takes that rod and swings it genuine well. She figures out how to look irate, look firm and able through the layer of cosmetics she wears.
He's bustling assuming every one of the parts beforehand played by numerous on-screen characters. He is tricky cop, awful cop, a great uncle, a cop whose inner voice rises and shines, a haggling, a cop who can pound baddies, a cop who can keep insider facts, a cop who gets beaten by baddies, a saint cop recuperating in the healing facility, a legend who spares the day, a penance my-life-for-my-standards cop, a cop who gushes lines like, 'Is vardi ko haath mat lagana!'.
He takes just about more than two hours of film footage despite the fact that Priyanka Chopra is propped up as the legend of the film. Furthermore, regardless of what the scene is, regardless of how cool Priyanka Chopra is attempting to be, the multi tasking executive guardian angel ventures into the scene. It's such a liberal, self special film for Prakash Jha.
