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70%
3.40 

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Sleepless in Alaska
May 21, 2011 05:37 PM 2516 Views

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The only guide to man is his conscience; the only shield to his memory is the rectitude and sincerity of his actions. It is very imprudent to walk through life without this shield, because we are so often mocked by the failure of our hopes and the upsetting of our calculations; but with this shield, however the fates may play, we march always in the ranks of honor.-Winston Churchill


How often have you spent sleepless nights, tossing and turning in the bed? You would have tried everything to go to sleep, but could never.  It  could be due to some stress and strains  acting on you, or  some issues that is bothering your  mind,  or  more often than not,  just plain Insomnia.


Will Dorner(  Al  Pacino), a top cop in the Los Angeles Police Dept( LAPD),  he has been called into a remote  small town in Alaska, Nightmute, to investigate the murder of  a teenage girl, Kay Connel.  Nightmute is one of  those small, sleepy towns where nothing much ever happens, and Kay's  murder  has sent shock waves there.


Will flies in along with his partner  Hap Eckhart( Martin Donovan) to solve the case,  where they are met  by the local cop  Ellie Burr( Hilary Swank).  Ellie is a young and up coming officer, who idolizes and hero worships Will, considering him her role model, to that extent that  she  has  studied every  single  case of  his.


The  prime  suspect  in Kay's  murder  case happens to be her  rather  abusive boyfriend  Randy, a cocky and arrogant stud kind.  Will however   is convinced, that  he is not the actual culprit,  and  he suspects   Walter Finch(  Robin Williams), a  writer of  pulp detective novels.   Kay has been a big fan of  Walter's novels,  and  also  a close confidant of  his.  In the mean while, there is another sub plot  of  Will  facing  an Internal affairs investigation back home in LA,  and  Hap  using that to his advantage.  So  who is the real culprit in the  entire  mystery?  Has to be seen to find it out.


The  Insomnia here Will faces is on two  counts,  one  is  Will unable to adjust to the  Alaskan environment.  Alaska a  place  where there is continuous daylight  for  6  months of the year, and continuous  darkness for the other 6 months.  The  midnight sun totally   affects  Will's  sleeping, to the extent  that he barricades his hotel room, shuts off the windows to prevent light from coming in.  But the more troubling issue  is  the internal  affairs  investigation he is facing  back home. Will had planted evidence deliberately  to catch a criminal then, and he feels that  what  he did was right, as the person was a vicious  murderer.  Hap however threatens  to testify against  Will, in an effort to save his own career.  And  Will's  mental state  becomes worse  after  Hap is shot  dead by Will accidentally, during  a police operation. The  burden of  guilt  keeps  weighing on Will's  consciousness eating him up.


Also fascinating is the cat and mouse game  between Will and  Walter, the latter taunting and teasing him playing on his mind.  The scenes between Al Pacino and Robin Williams are some of the best in the movie.  Cinema is essentially a visual medium, and   Christopher Nolan is one of  those who fully recognizes the fact.  More than the  visuals, it is  the way  Nolan creates  the  atmosphere or the mahaul,  as one  would call it,  that  is the movie's  biggest  strength.  Right  from  the opening credits, where  a plane  flies over the barren, Alaskan  landscape, to the shots showing the  towering mountains, glaciers and waterfalls of  Alaska,  to the scenes  showing  Will's sleepless nights, the  atmosphere  just  overwhelms you. The  characters in a way here are  a part of the environment, letting it  dominate them, dictate  their actions.


Though a murder mystery,  Insomnia is not a conventional  action movie that Hollywood usually churns out.  It  is much slower,  but  the  tension here, comes again from the mahaul.  You can actually feel the dread, the  fear in the atmosphere,  but you need to allow yourself to be soaked by it. As you see the characters  playing the mind games, playing cat and mouse, you can actually feel the danger hanging thick in the air.  Insomnia is  more of  a pyschological thriller, the  kind  where you actually have to think,  understand the character's  motivations, nothing happens without  a purpose here.


Al  Pacino is  as usual brilliant here  as the cop,  who has to bear with the consequences of his past  actions, as well as the burden of guilt  which begins to eat him up from within. Robin Williams  usually  seen in comic  roles, does well in a role with gray shades, cunning and calculating to the core.  Compared to the more frenetic  Batman series and Inception,  Insomnia is one of  Nolan's slower movies.  But  to dismiss  it  as one of  his weaker movies is not fair. I would highly  recommend this, but  just  remember  if you are looking for  a conventional  Hollywood cop thriller with big bangs and chases, this is not the movie for you.


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