Idhu Namma Aalu. Review on Idhu Namma Aalu

CAST: Simbu, Nayanthara, Andrea, Soori, Jayaprakash, Santhanam

DIRECTION: Pandiraj

Abstract: An everlasting sentimental experiences passionate feelings for the young lady his dad has chosen to get him hitched to, however will his past relationship end up being an issue?

Audit: The greatest quality of Idhu Namma Aalu is its leads — Simbu and Nayanthara. It is watchful trick throwing, and this is one of only a handful couple of things that executive Pandiraj has become right in this film. The group of onlookers realize that they share a history, and Pandiraj utilizes this and tries to turn a sentiment around this. The on-screen characters play Siva(Simbu) and Myla(Nayanthara), who have experienced childhood in a residential area however have moved to Chennai for work.

Siva's dad(Jayaprakash) masterminds him to wed Myla, and he, as well, experiences passionate feelings when he sees her. Be that as it may, Myla realizes that he was once in an association with her companion Priya(Andrea, whose lone sign appears to have been: continue grinning). Will this make her reject him?

The issue with Idhu Namma Aalu is that Pandiraj appears to have become content with his leads that he neglects to make a connecting with story around them. Each minute feels extended past its welcome, and there are numerous scenes where we can sense that the chief is making a decent attempt to make them appear to be adorable(Simbu calling his father'amigo', the mates calling each different as kuttima and ammu, which begins to grind after a point) and hep(each time a character dials somebody, a dialler screen appears in favor of the screen!). Scene after scene and a great many dialogs continue advising us that we are seeing Simbu and Nayanthara on screen by alluding to their quite a long time ago relationship, and Simbu's characteristics — his playboy picture, his skill towards getting into discussions, and even his love for Ajith. After a point we quit considering them to be Siva and Myla thus never truly watch over the characters.

Obviously, this methodology works once in a while. Pandiraj can in any case compose snappy discoursed, and his jokes for Soori keep us laughing out loud from time to time. He is likewise sufficiently brilliant to make this abundantly deferred film appear to be present by utilizing lines and melodies from late movies like Theri and Vedalam out of sight. What's more, Simbu, as well, gamely lets everybody take a burrow at his genuine and tries to liven up things. Yet, is that enough? There is a sudden clash presented at last so that the motion picture can achieve its peak and it is ridiculously terrible notwithstanding for a film that is this cushy that we can just recoil at the absence of creative energy. From once being considered as a promising new-age chief, Pandiraj has transformed into a movie producer who so gravely needs the gathering of people to love his film that he has begun to promptly give them what they need, regardless of the possibility that implies accomplishing something that is normal. Yet, what is stressing is will he have the capacity to change track or has he gone too far?