Feb 21, 2007 04:08 PM
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When Angelina Jolie won the *Oscar for Best Actress in a Supporting
Role*, for playing a violent yet highly commanding sociopath Lisa, in
this flm, my interest was piqued. When one added names like Winona
Ryder, Whoopi Goldberg, Clea Duvall, Brittany Murphy and Jared Letto,
into the equation and the storyline featured a mental institution I
just had to watch the movie, soon as it arrived. and I did.
Then why this review after so long. when Ryder has been incarcerated
for shop lifting, Jolie is more seen talking about Brad Pitt than her
career. why now all of a sudden? It is because of the memoir, by Susanna Kaysen, which I
intended to read after watching the movie and finally managed to did laltely. This true account, published
back in 1993, inspired Winona Ryder to want to turn this into a movie,
and hence girl interrupted was made and released in 1999.
The Plot:
The movie follows the 18 months that Susanna Kaysen(Ryder) had spent
in a mental insitution(the fictitious Claymoore Hospital(based on
McLean Hosptal the actual institution featured in the memoir), after
voluntarily checking herself in, following an attempted suicide and
episodes of frquent hallucinations, in the April of 1967.
Through a
series of flashbacks, we are shown both the rebellious and
independent aspects of Susanna's personality, as well as the emotional
turmoil in her life, both of which she considers to be symptoms of her
'illness'. in the insitute she is diagnosed as suffering from a
borderline personality disorder. She quickly becomes familiar with a
number of the
institution's residents, who include a pathological liar Georgina(Clea
Duvall), a disfigured burn victim Polly(Elizabeth Moss), and an
extremely withdrawn agoraphobe Daisy(Brittany Murphy), as well as the
people administering her treatment, including the resident psychiatrist
Dr Melvin Potts *(Jeffrey Tambor), the cold and detached Dr. Sonia Wick
(Vanessa Redgrave), and a perceptive head nurse *Valerie Owens *(Whoopi
Goldberg).
However, Susanna becomes most attached to the free-spirited Lisa
(Jolie), a long-time resident of Claymoore who is prone to causing
trouble, and the two women become fast friends.
Working under Lisa's
influence Susanna stops taking her medication and resents the benefits
to be derived from her treatment. With time, many instances follow
(including instances of solitary confinement, Susanna's sexual
proclivities with an orderlyLisa and Susanna breaking out from the
instituation). It is only when Lisa insinuates the abused Daisy, into
killing herself that Susanna starts to examine her stance, starts
resenting Lisa's detrimental influence and with Valerie's help,
welcomes the probings of the treatment. In time, after a a highly
charged head-on verbal outburst by Susanna, Lisa suffers a breakdown
and is unable to kill Susanna. Susanna is subsequently released, fit
and free to pursue her life.
The Performances:
Truly speaking, the movie is worthwhile only because of the powerhouse
performances by the two leading ladies. In the beginning, Ryder's
cryptic yet hopessly confused character seems to guide the movie
through, but it is Jolie's performance as the loose cannon in the
film, the flamboyant and over-the-top spciopath, that gives the movie
its much needed spark. In almost every scene, she manages to deliver a
poignant and gut-wrenching punch, that makes us the viewers, like
Ryder's character, hate her and yet want to be with her at the same
time.
As for the rest of the cast, they can be mostly termed as pretty
feathers, as the roles given to them were hardly any justice to their
statures. Howevere, they all managed to work the small demands to their
advantages and delivered point-precise characterisations there in.
The Book:
For all those of who can get hold of it, read it. The book is an
evocative read, brilliant, witty, heartfelt and true. The movie often
digresses from the book's central elements and sometimes deletes and
adds instances that did/didn't exist [James Mangold, the director,
defends this by claming that the changes were necessary to make the
story more audeince friendly], giving the movie a more "One Flew Over
The Cuckoo's Nest" sort of drama feel; instead of the inciseful
criticism that the book meant to be of the popular attitude towards
mental disorders. So for all those of you, who would like to read as to
what really happen and find a gem of a book in the process, this book
is a must.
Why to avoid the movie?*
Heh. I know I am recommending the film, but here's a few details as to why one should reconsider watching the movie.
- After 127 min, the movie's ending though expected, and justfied to
popular tastes, kind of presents itself as an anti-climax and not being
true to what happened in the book, is somewhat of a let downer.
- the pace of the movie n certain instances is painfully slow. and
the narration in that breath at times is incoherent and diluted.
- the central theme of the movie, is more like a melodrama than the
factful representation that it had aspired to be and should have been.
however, barring all these, the performances and an unconventional
storyline, sort of mutually balances the pros and cons enough in favour
to justify a rating of say 7 out of 10.
If you expecting an inspirational film do not wtch it, there's a no
grandiose arc here. If you expecting a situation where you will get an
insight into what a mental institution feels like, may be you should
see it, for the movie does at times seems like a travellougue. But the
only reason reason I would recommend for any one to see the movie, is
Jolie and her performance, followed closely by the rest.