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4.25 

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A film, A Memoir
Feb 21, 2007 04:08 PM 2963 Views

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When Angelina Jolie won the *Oscar for Best Actress in a Supporting


Role*, for playing a violent yet highly commanding sociopath Lisa, in


this flm, my interest was piqued. When one added names like Winona


Ryder, Whoopi Goldberg, Clea Duvall, Brittany Murphy and Jared Letto,


into the equation and the storyline featured a mental institution I


just had to watch the movie, soon as it arrived. and I did.


Then why this review after so long. when Ryder has been incarcerated


for shop lifting, Jolie is more seen talking about Brad Pitt than her


career. why now all of a sudden? It is because of the memoir, by Susanna Kaysen, which I


intended to read after watching the movie and finally managed to did laltely. This true account, published


back in 1993, inspired Winona Ryder to want to turn this into a movie,


and hence girl interrupted was made and released in 1999.


The Plot:


The movie follows the 18 months that Susanna Kaysen(Ryder) had spent


in a mental insitution(the fictitious Claymoore Hospital(based on


McLean Hosptal the actual institution featured in the memoir), after


voluntarily checking herself in, following an attempted suicide and


episodes of frquent hallucinations, in the April of 1967.


Through a


series of flashbacks, we are shown both the rebellious and


independent aspects of Susanna's personality, as well as the emotional


turmoil in her life, both of which she considers to be symptoms of her


'illness'. in the insitute she is diagnosed as suffering from a


borderline personality disorder. She quickly becomes familiar with a


number of the


institution's residents, who include a pathological liar Georgina(Clea


Duvall), a disfigured burn victim Polly(Elizabeth Moss), and an


extremely withdrawn agoraphobe Daisy(Brittany Murphy), as well as the


people administering her treatment, including the resident psychiatrist


Dr Melvin Potts *(Jeffrey Tambor), the cold and detached Dr. Sonia Wick


(Vanessa Redgrave), and a perceptive head nurse *Valerie Owens *(Whoopi


Goldberg).


However, Susanna becomes most attached to the free-spirited Lisa


(Jolie), a long-time resident of Claymoore who is prone to causing


trouble, and the two women become fast friends.


Working under Lisa's


influence Susanna stops taking her medication and resents the benefits


to be derived from her treatment. With time, many instances follow


(including instances of solitary confinement, Susanna's sexual


proclivities with an orderlyLisa and Susanna breaking out from the


instituation). It is only when Lisa insinuates the abused Daisy, into


killing herself that Susanna starts to examine her stance, starts


resenting Lisa's detrimental influence and with Valerie's help,


welcomes the probings of the treatment. In time, after a a highly


charged head-on verbal outburst by Susanna, Lisa suffers a breakdown


and is unable to kill Susanna. Susanna is subsequently released, fit


and free to pursue her life.


The Performances:


Truly speaking, the movie is worthwhile only because of the powerhouse


performances by the two leading ladies. In the beginning, Ryder's


cryptic yet hopessly confused character seems to guide the movie


through, but it is Jolie's performance as the loose cannon in the


film,  the flamboyant and over-the-top spciopath, that gives the movie


its much needed spark. In almost every scene, she manages to deliver a


poignant and gut-wrenching punch, that makes us the viewers, like


Ryder's character, hate her and yet want to be with her at the same


time.


As for the rest of the cast, they can be mostly termed as pretty


feathers, as the roles given to them were hardly any justice to their


statures. Howevere, they all managed to work the small demands to their


advantages and delivered point-precise characterisations there in.


The Book:


For all those of who can get hold of it, read it. The book is an


evocative read, brilliant, witty, heartfelt and true. The movie often


digresses from the book's central elements and sometimes deletes and


adds instances that did/didn't exist [James Mangold, the director,


defends this by claming that the changes were necessary to make the


story more audeince friendly], giving the movie a more "One Flew Over


The Cuckoo's Nest" sort of drama feel; instead of the inciseful


criticism that the book meant to be of the popular attitude towards


mental disorders. So for all those of you, who would like to read as to


what really happen and find a gem of a book in the process, this book


is a must.



Why to avoid the movie?*


Heh. I know I am recommending the film, but here's a few details as to why one should reconsider watching the movie.




  1. After 127 min, the movie's ending though expected, and justfied to




popular tastes, kind of presents itself as an anti-climax and not being


true to what happened in the book, is somewhat of a let downer.




  1. the pace of the movie n certain instances is painfully slow. and




the narration in that breath at times is incoherent and diluted.




  1. the central theme of the movie, is more like a melodrama than the




factful representation that it had aspired to be and should have been.


however, barring all these, the performances and an  unconventional


storyline, sort of mutually balances the pros and cons enough in favour


to justify a rating of say 7 out of 10.


If  you expecting an inspirational film do not wtch it, there's a no


grandiose arc here. If you expecting a situation where you will get an


insight into what a mental institution feels like, may be you should


see it, for the movie does at times seems like a travellougue. But the


only reason reason I would recommend for any one to see the movie, is


Jolie and her performance,  followed closely by the rest.


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