Oct 07, 2015 04:24 PM
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In Brave New World, initially distributed in 1932, Huxley paints the photo of a world that is willing to surrender genuine satisfaction for a dull joy free of agony, that is willing to forsake truth for solace, that is willing to shun statures so as to evade profundities, and that rushes to surrender human aspiration and individual identity for the purpose of societal amicability. It is a terrifying presentation, absolutely in light of the fact that it doesn't appear to be excessively impossible.
Aldous Huxley has the notoriety of being a scholarly monster. His legacy places him in the place where there is England, the spot where the immense's majority abstract titans come. A Brave New World lamentably does not experience the credits, pedigree or even the faction taking after that pursuits after it.
To stop a long story, the inevitable fate of each general public is to transform into an oppressed world. Then again, a gnawing parody on private enterprise and consumerism.
