Feb 19, 2016 10:26 AM
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Bajirao Mastani explores the romantic side of 18th-century Maratha general Bajirao Ballal Bhat, who fought and won 40 battles against the Mughals with an aim to create a unified Hindu kingdom
With Mastani’s scarcely recorded history, Bhansali had a beautiful premise of a love story that has never been explored onscreen. However, he makes it a tiring affair: Laden with the burden of self-indulgence and dramatic “dialoguebaazi”, the film drags on at its own sweet and laid-back pace
Bajirao Mastani is a lengthy film that moves at a snail’s pace, in signature Bhansali style. The lyrical dialogues and literary brilliance of the dialogues bog the story down with overindulgence instead of striking the audience in awe of the grandeur at show. For example, one of Ranveer Singh’s dialogues has doobta sooraj, khilta chand, bewaqt ki baarish, dharm ki zanjeer and mohabbat ki aag in one single sentence! The dialogues seem more like an ensemble of Hindi words than boasting of the lyricism the filmmaker seems to have aimed for.