Jan 07, 2008 01:48 AM
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(Updated Jan 07, 2008 01:52 AM)
The class of Madhuri would never sheen away; she would be the ultimate women the modern Indian cinema has known. The way she leads all her dances and the aura she has, no one has still matched upto her. I can’t forget her embellishing face in Devdas, where she swayed her body to the tune of the songs and not a single moment, one would take their eyes of her.
To my surprise in Aaja Nachle, she played her age, the story line not only made her hip-hop, it also wanted her to act wisely. She did justice to the role given to her. The theme of the movie was woven intricately and none of the scene was superimposed on the other.
Kunal Kapoor**although did not look like a hooligan, he managed his part well. He acted intelligently in the character given to him. Being a Romeo in the cameo was not easy, but he made the masses stoop into the cast.
The progression of a girl from the street, who brushed her nose to talk to people to a beautiful maiden who had fallen in love was exuberantly portrayed by Kon Kona Sen. Her character needed time and evolution which was amalgamated with a love story, she not only makes the audience groove with her metamorphism but also makes herself an indispensable character in the movie.
Raghuveer Yadav**made a remarkable come back. He is always remembered as a funny little guy from “Potli Baba Ki”. Not only does he dance in the picture, he also weaves a story around him.
One of the amazing part of the movie is that expect Madhuri and Akshaye Khanna all the other actors and actresses were theatre artists. With these artists around, all the characters were enacted magnificently well.
Of course, the movie is not for the masses, it would only appeal to those who love theatres, dance and drama. It would make sense to them, who love medley and are closer to music and real play.
Another score of the movie are the songs that just falls into rhythm. A grand comeback from Madhuri and a nice movie to munch your popcorn with.
