Apr 22, 2014 02:11 PM
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2 States had me in two states of mind. While it's mostly simple and light hearted first half made me look forward to the rest of the movie, the darker and grittier, though somewhat predictable 2nd half made me sit up and take notice of the proceedings.
This tale is essentially that of two much in love IIM Graduates from two corners of India wishing to have their culturally clashing and hard to woo families completely accept their alluring alliance. Based on the bestselling novel of the same name by Chetan Bhagat, the film for me gets full marks in the screenplay adaptation department. Alas, sometimes the editing, tying up of loose ends from a storytelling perspective(what happens to the psychiatry sessions? When does it end), and staple Bollywood melodrama(or the lack thereof in the tame ending) makes for wishful film viewing.
What worked for me was the terrific chemistry and naturally effortless performances of the lead actors. Alia gets full marks for her terrific portrayal of Tamilian Ananya(despite her being a thorough North Indian girl - this being her third film, this is one girl to watch out for over and over again). Arjun inches close for his gritty and multi layered portrayal of Krish (I wish there was a bit more body language/voice modulation/effort to portray the 7 years younger character, or the slightly older father of two kids).
The supporting cast is tremendous too! Be it Ronit Roy in the stupendous special appearance as the father fighting his inner demons, or Amrita Singh with her loud mouthed yet large hearted portrayal of Krish's mother. Revathi and Shivkumar as Ananya's parents are subtle and nuanced and add the required pathos to the story at just the right time. I especially loved Revathi's rendition of 'Kaho Na Pyaar Hai' and Shiv's almost childlike reactions to the same.
The direction is naturally delightful (a great debut by Abhishek Varman), the screenplay superb, the music by Shankar Ehsaan Loy hummable (especially the excellently filmed 'Locha E Ulfat'), and the cinematography by Binod Pradhan just right, making this perfect as far as the technical requirements are concerned. Some loose ends could have been tied better, had the editor - Namrata Rao been allowed some more screen time (was it the over expectations from her post Kahaani?). But this is a glitch that can be safely ignored in an otherwise effective film.
Though some scenes of intimacy could have been done without, this is indeed a great family watch that strangely will teach you a thing or two about why, how, and when family matters. Watch it for a fluffy slice of life. Don't expect the stars, and you might just moon over this not so typical Bollywood Romance. Go for it!
