As in the first part, there are a few startlingly gauche parts in the man-woman skirmishes: you don’t really want a woman to call herself a ‘charnon ki daasi’ even if it’s a film set in the distant, mythical past, especially if she is a warrior princess with a strong will.
But we’ve seen it all. Only in some places where the battle scenes and the hand-to-hand combat is choreographed beautifully ( there’s one spectacular balletic set-piece between Prabhas and Shetty in which they take on an attacking swarm) and with great energy do you sit up and watch with interest
