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MouthShut Score

85%
3.95 

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Revenge drama with epic dimension
Aug 04, 2012 07:44 PM 3346 Views

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With Smriti Irani gleefully welcoming the whole nation to Tulsi's family of "Kyun ki saans bhi kabhi bahu thi"(famous Indian soap opera), the family setting is disrupted by a series of bang-bang thus setting the mood for a raw violent epic tale of deceit and revenge.Welcome to Anurag Kashyap's take on the violent gang-war of coal mafia in Bihar, the movie is one of rare docu-fiction made in India that has the signature mark of Kashyap–arguably the best Indian film maker of current generation.


The movie runs for a span of six decades telling us the evolution of coal mafia to its pinnacle of violence. With Sahid Khan impersonating the legendary Sultana Daku starts looting the trains just prior to the Indian independence. With Shahid Khan being thrown away from the village in Dhanbad he started working in a coal mine from where the game of rivalry took its first step as Shahid Khan was betrayed and killed by Ramadhir Singh's henchmen and later on Shahid's son Sardar vowed to take revenge.


The basic premise is simple about the age-old tale of son avenging the death of his father and how it all gets engulfed into a family rivalry with lies, treacheries and betrayals. The executions seem to be homage to Tarantino as the tale moves forward with its blood soaked screenplay.There is intelligent use of wit and one-liners which helps in building the proceedings. Rarely have we seen humor revolving around slaughtered bodies and body parts in desi films. As the movie spans over decades there is key eye for detailing which are reflected in every sequences. The usage of black and white footages increases the credibility of the docu-drama. Like Kashyap's previous films this also deals with the dark psychology of human. This time he chooses to unmask the violent reality ruling in the heart land of our country and ropes in enough humor to unleash the stark reality. For people of Wasseypur killing is like having lunch and that disturbing essence has been beautifully captured. The violent existence had injected hatred in the nerves of each individual. Syed Qadri should be applauded for having the courage to write the story. Being hailed from Wasseypur he even got life threatening calls for the story. Technically GOW is one of the best films of recent times and indeed shows reflection for the praises that are shown in various film festivals. Direction from Kashyap is unquestionably top-notch. Rajeev Ravi's camera makes the proceeding more real. Shot in real locations the camera and colors hops between reality and fiction playing with various colors. Sneha Khanwalkar's music is one of the real heroes of the film. Whenever the scenes were tending to get a little repetitive the music saves the scene. Sneha's music reflected the particular era. While "Ik Bagal" hits the right notes for 40s, "Hunter" is a effective modern day rendition of imagination of a person who is at "high".Without giving any spoilers I would say the sequence of "Jiya ho Bihar ke lala" and the way it has been shot in itself becomes a learning lesson for many budding film makers. Also without glorifying violence Kashyap seamlessly merges blood into the narrative and not for a single moment it looked gory.There is no space for melodrama or pseudo-morality. In fact he can give a lesson to mainstream film makers of effective use of action in a realistic yet entertaining fashion. I couldn't think of anyone except Manoj Bajpayee as Sardar Khan who has revenge in his mind but his weakness for female body costs him dearly. Richa Chadda as Nagma Khatoon excels in every scene.The rebellious wife of Sardar is probably the best written character in this film. Nagma is sensitive yet ferocious who has a clear thought process and her character symbolizes freedom otherwise absent in wives of male-dominated India.Tigmanshu Dhulia as Ramadheer Singh patronizes evil and he is a treat to watch.A superb director himself he showed that he is equally brilliant in front of the camera as well. After being part of several films Pankaj Tripathy really gets his due in a meaty role and he proved himself as Sultan Qureshi. The anger oozes out from his personality thus shaping the character.Piyush Mishra is as always effective and dependable.He speaks with his eyes and their lies the talent of the veteran.His lyrics here are as strong as the ones in Gulaal. . Reema Sen effective as Durga. Nawazuddin Siddiqui excels as Faizal Khan the younger and the rebellious son of Sardar Khan.He is there only in the last hour of the first part but one could gauge that he will dominate the second installment.His fiancé' débutant Huma Qureshi is gorgeous and spontaneous. Jaideep Ahlawat as Shahid Khan is superlative. He simply had the necessary energy to spark the proceedings in the initial hours.He steals the scene where his wife is about to deliver her child and yet he is caged in a coal mine following which he fights back with his master.It symbolizes the life we are leading at present when we are buried under burden of material existence and can't stand behind our beloved even in harsh times.There are many such sequences which work as metaphors to the degradation of the standard of life.


Overall GOW-I is a epic masterpiece. Kashyap dares to go beyond the conventional means while telling an off-repeated story of revenge.In fact this film is a case study for film makers who can learn the art and use it to make something unconventional yet entertaining.As a film lover I am eagerly waiting for GOWII.


P.S:The trailer of GOWII sets the mood with characters like Perpendicular, Definite, Tangent.The film looks to be more quirky than the first installment.One of the characters, a lean structure shown chewing a blade with an assassin look seem straight out of Tarantino films and my expectation increases manifold.


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