Jul 08, 2008 12:06 PM
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into Bollywood. 1942 – A Love Story was Burman’s last composition and,
well, he couldn’t have asked for a better ending to a highly successful
career!
All
the songs of this album have three things in common – soft music using
tablas, veenas, wind and percussion instruments, meaningful lyrics
penned by the talented Javed Akhtar, and stunning vocals by Kumar Sanu
and Kavita Krishnamurthy. These three factors combine to produce one of
the greatest musical classics of Indian cinema – 1942- A Love Story. It
is very tough to choose a best track from the album because every
single one is a masterpiece. Hence, let me simply move on to my
detailed review of each of the songs
Ek Ladki Ko Dekha To:
The
fact that Kumar Sanu was at his peak when he sung this track is evident
from his brilliant rendition. If Ek Ladki is still remembered so fondly
it is mainly because of Sanu’s expressive and sinuous voice while
comparing the hero’s ladylove to some of the most beautiful assets of
nature such as the waves, the fragrance of winds, the dance of peacocks
etc.
Of course, Javed’s beautiful similes and Burman’s soft
background beats play a very important role in bringing freshness to
the song. Such is the magical effect that I always daydream of dancing
like peacocks and sparkling like waves while my lover sings this song
to me. Ek Ladki is, in my opinion, one of the top five songs of Sanu,
one of the top five compositions of Burman, and one of the top five
lyrics of Akhtar Saheb.
Excellent - 10/10 (duh!)
Pyaar Hua Chupke Se:
If
Kumar Sanu has a winner in the form of ‘Ek Ladki Ko Dekha To’ Kavita
Krishnamurthy is not far behind. She transports us all into the
delightful world of pristine love with her smooth vocals in ‘Pyar Hua
Chupke Se’. The rhythm provided by tablas and dholaks complements her
unsullied voice very well and lends a classical touch to the song.
But
the best part is towards the end when we hear the chorus singing, ” Bolo
Na, Bolo Na, Bolo Na.” Somehow, this provides a very mysterious and an
unusual ending to a romantic track. Once again, Akhtar Saheb hands us a
winner, although Ek Ladki was a more creative verse, in my
opinion. Pyar Hua Chupke Se – Ladies! Sing it whenever you fall in
love!
Mindblowing: 10/10!
Root Na Jaana:
Truly,
this is one of the glowing examples of musical genius. I have rarely
seen a composer making use of very soft beats and wind instruments in
order to provide sweetness to a track the way R.D.Burman has done it in
Root Na Jaana. By relegating the music to the sideline Panchamda
cleverly brings the singer to the forefront – the result?
We
have one of the cutest, “Forgive Me” songs, and almost all the credit
should go to Kumar Sanu for being so animated and charming with his
voice. Root Na Jaana puts a smile onto my face each time I listen to
it! Listen up guys. Want to make up with your girlfriend or impress
her? Just sing this song! ;)
Expressive: 10/10!
RimJhim RimJhim:
Javed
Akhtar’s picturesque poetry, the resonating voices of Kumar and Kavita,
and Burman’s innovative use of instruments - what else could be the
result if not a grand winner?! Beguilingly romantic, enchantingly
melodic, and captivatingly pleasant, Rimjhiim Rimjhim is perhaps the
best rain song we have ever seen or heard.
The track
celebrates the acceptance of love for each other by a young couple. I
particularly love the way Kavita trills, “A haha, ” and also the phrase,
“Chalte Hain!” Panchamda once again uses flutes to the best of effect,
accompanied by soft beats. A song you can’t help but become addicted
to!
Rain Rain, Come Again – 10/10!