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58%
2.33 

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Verified Member MouthShut Verified Member
Gurgaon India
Teri Meri Kahani
Mar 11, 2016 12:04 PM 3858 Views

Plot:

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Cut 1: Bombay 1960 - A battling Musician Govind(Shahid Kapoor) sheets a train from Poona, and he goes into an acclaimed performer Rukhsar's(Priyanka Chopra) lodge. Furthermore, both began enjoying one another. One woman named Maahi(Prachi Desai) who lives in the same visitor house where Govind booked a room began cherishing him, however fortuitously she is additionally the closest companion of Rukhsar. Govind and Rukhsar experiences passionate feelings for one another yet the play winds up on a triangle, when every one of the 3 left.


Cut 2: England(Stratford upon Avon) 2012 - Meera(Neha Sharma) says a final farewell to his beau Krish(Shahid Kapoor) on his birthday. He finds an understudy Radha(Priyanka Chopra), and both spend the day and night together getting a charge out of. They began adoring one another yet Meera goes about as vamp and comes in the middle of both. Result: Radha left from Krish.


Cut 3: Sargodha, Lahore 1910 - Javed(Shahid Kapoor) is a loafer sort of fellow who use to see each conceivable delightful young ladies, and one day he finds Aradhana(Priyanka Chopra) as he was running from British fighters, and she spare him from them. They both began enjoying one another yet to inspire Aradhana, Javed joined in a Morcha against decision Britishers alongwith numerous different protestors. Be that as it may, when British warriors lathicharged, he ran and stow away. Aradhana began loathing him since he's a defeatist, yet he demonstrates his value and get captured by harming a British officer. He got into prison, where Aradhana use to come to see him. Following 3 months when he turned out from Jail, he establishes out that Aradhana is hitched to another person.


Last, yet not slightest. By giving some discourse and clarifying his position each of the 3 Shahids effectively get his 3 Priyankas at last.


Thus, this is'Teri Meri Kahaani' composed by the chief and dialog author Kunal Kohli, you recall'Fanaa', yes the same Kunal Kohli. He coordinated this film well, and I cherished the presentation of this motion picture. The best play out of 3 was the first - Bombay 1960 act. He purposely made the Bombay look like old movies' set. In old films, they use to shot on the sets and delineate it as genuine open air areas, yet here Kunal portrayed like the motion picture is being made in the old motion pictures' direction, i.e. on the sets, and it was wonderfully picturised. Very much upheld by Background score and Vrijesh Hirjee who conveyed the comic touch to it. It was to a degree shot in the'Charlie Chaplin's' way, and Vrijesh looks amusing as the covertly working correspondent. His connection with Shahid are great. One tune came in the Bombay Act -'Jabse minor dil ko uff', it was the best melody of motion picture, brilliantly sung by Sonu Nigam and Sunidhi Chauhan. It was picturised in the same example as the old melodies were. Music was simply impeccable with the old feel. It was the briefest demonstration and the most adorable act, and after that you began feeling expect that if a film began on a high note, it can just falls low. Be that as it may, the second demonstration of England holds it rightly. The science of Shahid and Priyanka was splendid, they too are so flawless with one another that you really began enjoying watching them together. Both the performing artists are splendid on their separate parts. The England Act was flawlessly made to the present situation where everyone use to content and visit more than the genuine talks, all around bolstered by the two tunes, particularly the "That is all I truly wanna do" sung by Shaan and Shreya Ghoshal. Both on-screen characters looked so immaculately changed to the present day part, particularly Shahid, that you can just say wow and envisioned how diverse was they looking in the prior demonstration of 1960. The tune "Mukhtsar"(Wajid) was likewise great to listen, a decent creation. And after that just before interim you went to the third demonstration of Lahore, which is the longest and the most exhausting carry on of 3. You appreciate watching it yet in the event that you're presented with Roshogulla first and after that somebody gives you Kadhai Paneer, then what might you do, clearly you don't care for Kadhai Paneer after Roshogulla. It is likewise bolstered by 2 melodies -'Hamse Pyar karle tu', a qawwali kind of tune and'Allah Jaane' sung by Rahat Fateh Ali Khan. Best part of this demonstration was the shayaris, which Shahid conveys so immaculately that you began contrasting it and the Aamir Khan's Fanaa demonstration. Other best part was the scene when Shahid hurt the British officer and got himself saw before his adoration with the goal that she imagines that he is not a waste or a defeatist but rather he also can accomplish something. All melodies were great, decent music sytheses by Sajid-Wajid. Moves by Rekha, Chinni Prakash and Ahmed Khan suits to the inclination of period appeared and the tunes. Ensembles excessively fit well. Be that as it may, then really what was the story. I too am as yet pondering it, and peak, Kunal blends all the 3 demonstrations well yet when you get the hang of beginning you needs great toward the end too, and peak was the most exceedingly bad piece of film, why? since there was no story, REMEMBER! in this way, it only poofs out. One all the more good thing was film was not a protracted undertaking, it's just around 2 hrs including interim. Applauds! for that to Kunal.


Thus, I will suggest this motion picture as it is agreeable, and you can watch it once, Kaash! Bombay act went minimal long, since I truly delighted in it, yet no issue, I have now seen the film and suggesting it, Some other day I will again watch another motion picture and will compose another survey, I trust it will be vastly improved than this. Be that as it may, starting now, My take for this one 3/5.


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