I’m honored to write about ‘RANG DE BASANTI’. I have been thinking for a long time that whenever the movie is being shown on the television

why I get stuck to it but now I am very closer to get the answer. This movie is nothing but a great mixture of courage and intelligence. COURAGE is there because it deals with one of the most controversial issue if the Indian political history- ‘MIG crashes’, and on the other part it is an intelligent movie because according to me it was able to connect itself with all of the part of the society whether young people or older ones.                                                                                This movie tries to take the movement of freedom of so called free Indians one step ahead, why I am saying so is because all of us want to take action against something wrong which happens to us in our day to day life, some of us want to take action bad condition of roads, some of us wants to make complain about non-regular supply of electricity and water, some wants to slap an official who demands for bribe and on the other side some people would like to have better medical facilities. It doesn’t and here, the list of problems of every person is really long, but most of us would not want to take action against all of these things. Is it because we are prejudice with the system? Or is it so that all of us just want to live for yourself and not for the nation that is why we will just try to earn more and more to remove these problem by the way of money.

          

                             But this was not really the thought of the director behind the movie I am talking about; all of the characters get united and try to take action against the wrong ones. In a way the movie tries to say that that was not only the time of freedom movement when we could die for the nation but the scope is still here (here I don’t mean that we should die for the nation but at least ready to take some action against the wrong ones) all we need is only that type of fire which was within BHAGAT SINGH and AZAAD.               

          

 

          

 

          

 

          

                                                                             SANDEEP MEHTA

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