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Of Melusina and Ragnarok
Feb 23, 2007 12:22 PM 6969 Views
(Updated Feb 23, 2007 12:36 PM)

Readability:

Story:

“There are


things that happen and leave no discernible trace, are not spoken or written


of, though it would be very wrong to say that subsequent events go on


indifferently, all the same, as though such things had never been.


Two people


met, on a hot May day, and never later mentioned their meeting. This is how it


was.”


The Plot:


The book is


best understood once we divide the events into a set of two time-periods… one


in the past… a strong Victorian enchanted time of the 1800s, full of soaring


emotions and restrained passion. Here the poets Randolph Henry Ash and


Christabel LaMotte, meet by chance, painfully carve out a niche in each other’s


lives as friends, well realising that to go any further would be the end of


innocence. Then comes the present, about a century later… a time equally


trying, as two research scholars Roland Mitchell and Maud Bailey try to piece


together clues, from poems, letters and references, which would point out the


relationship between the aforementioned pair of poets and as they say, change


the face of literary history forever.


Dazed and


Confused? Well… let me try and simplify.


Roland


Mitchell is a part-time research aid to Professor Blackadder, in the British


Library, who is compiling the complete works of Henry Ash. While going through


Ash’s copy of Vico, Roland chances upon two drafts of what seemed to him like


letters written by Ash to a woman. Now in the records of history, Henry Ash was


a model husband, devoted to his wife Ellen, never even looking towards another


woman, let aside writing what seemed evidently the seeds of a love letter. This


huge digression from Henry’s preserved image, immediately set Roland on a


mission to see the draft’s fate to its end… he just had to know, and from


therein began a mad chase. His aid in this sojourn became, the reluctant, trite


Maud Bailey, who was an authority on Gender studies and on the works of


Christabel LaMotte, the poet, who Roland found grounds to believe was the woman


addressed to in the drafts. Their work was frustrating, meeting opposition from


authorities, conniving fellow researchers and their own selves… however, when


the pair finally put together all the pieces of the jigsaw in place, the


revelations were shocking not only in terms of their literary significance, but


the personal effects were far too important to deny.


The Author:


Born in


1936, Sheffield, England, Dame A S Byatt is hailed


as one of the great post-modern novelist of the English language. She has


written poetry, short stories and novels, for which she has won many critical


acclaims. Her novel Possession won the 1990 Booker Prize for Fiction.


The Movie:


The book


has been adapted into a movie starring Gwyneth Paltrow(Maud Bailey), *Aaron


Eckhart(Roland Mitchell), *Jennifer Ehle *(Christabel LaMotte) and *Jeremy Northam


(Henry Ash) among others. Although publicised as a saga of romance that would


possess each of the pairs, the movie digresses heavily from the book. However, I


would recommend it to anyone who wishes not to read the book. For them, the


movie, with its snippets of brilliance and the unusual and passionate narrative


would be enough to please. However, if you have read the book, it would be a


heavy let down as the movie essentially fails to capture Byatt and embody the


beauty that the book is.


*Who should


read the book?


*To put it


very frankly the book is not meant for everyone. It is a romance, but not only


in the classical love-story sense, but also in the Romantic sense. By this I mean,


the romance is one of nature, fancy, word play and not necessarily events…


there are pages after pages of poetry(all written by the genius Byatt), which


most readers of fiction would find tedious. Poetry reading after all is an


exercise best reserved for schoolwork drudgery. So one might be tempted to skip


such pages and read the prose… but even there in lies a rude shock. Not only


does the reader miss a lot of information, references and exchanges by leaving


out the poems but the plain word prose too, is replete with a sense of beauty


of form. Thus most of the narration is circuitous, more so when the era is that


of the past.


Thus, my


word of advice, if you feel that such heavy work is not your cup of tea for leisure


reading, abandon the thought, and do not even attempt to pick up the book. If you


see it someday in a bookshelf, turn around and quietly leave. You will be doing


yourself and the book a favour. I suggest the movie instead, as it would be a


good replacement in that case.


For those few


of you, who feel compelled, to read it. I am sure you will agree; it is a great


book. Melancholic, soaring, and magical and yet real, throbbing and alive. This


is a book, you will never forget. Let me know, how you feel once you have gone


through all its pages.


Happy Reading!


“And on the


way home, she met her brothers, and there was a rough-and-tumble, and the lovely


crown was broken, and she forgot the message, which was never delivered.”


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