blue  disco  lights  [ symbolising  illusioned  atmosphere],
        shankar 

mahadevan’s  haunting  vocals,
       PREITY  and  ABHISHEK  enjoying  on  one  side,
       their  spouses  making  love  on  the  another,
      and  the  song  goes...

         WHERE’S&n
bsp; THE  PARTY  TONIGHT ?
    SOMEWHERE  DOWN  THE  ROAD !
         WHERE’S  THE  PARTY  TONIGHT ?
      ON  THE  DANCE  FLOOR !

        POOR KANK haters,
couldn’t understand such a nice symbolic shot.

  if  two  people  are  unhappy  with  their marital  life,  and  to  add  to  it  meet  a  person whom  they  wanted  their  spouses  to  be  like,  they  are  sure to  forget  their  true  identity  for a  while.

okay,   DEV  and  MAYA  were  wrong,  but  so were  RISHI  and  RHEA. [  to  an  extent ]
If  some  think  they  were  not, then  they  will  have  to  agree  that  RHEA  and  RISHI  were  too good  for  their  spouses.

poor KANK haters
      they  will  understand  AMITABH  BACHCAHN’s  frustration  in  ABHIMAAN.
   but  they  wont’  pay  heed  to  DEV  SARAN’s  anger  b’coz  it  was  played by SHAH RUKH KHAN.

  poor KANK haters
         when  AMITABH  and  REKHA  in  SILSILA  go  out  of  their  marriage  to  re-kindle  their  relation,  they  call  it  ROMANCE.
when  SHAH  RUKH  and  RANI  do  the  same,  they  call  them HEARTLESS.

 poor KANK haters
         they  sympathise  with  ABHISHEK  and  PREITY,  who  as  much  as  they  may  have  loved RANI  and  SHAH RUKH  in  the  movie,  remind  them  of  their  weaknesses [ which  is  only  but natural ], and  then  complain  later,
"YOU  NEVER  LOVED  ME  AT  ALL"

 poor KANK haters
       they don’t  notice  the  common  habits  of  arrogant  people  like  DEV who  are  always  keen  to strike  a  converstaion  or  give  advices  to  any  tom,  dick  or  harry,  let  alone  a  pretty  soon-to-be-bride.

poor KANK haters
they  dont’  understand  the  fact  that  DEV  and  MAYA   didnt’  break  their  marraige,  they  just  forgot  their  marital  responsibilities  for  a  while  and  followed  their  heart  for  what  KARAN JOHAR  portrayed  as  TRUE  LOVE.

 poor KANK haters
       they  don’t  understand  that  DEV  and  MAYA  tried  to make  amends  for  their  mistakes.  who didn’t  let  that  happen  were  RHEA  and  RISHI  were  equally  imperfect  who  called  for  divorce after  not  being  able  to  bear  the  infidelity  their  spouses  had  been  doing  with  them.

   poor KANK haters
  they must  have  been  living  in  their  IVORY  TOWERS f or years  before  they  came  out  to  watch KANK.

reasons :

# they  don’t  meet  people  like  MAYA  who  is  dull,  boring,  but sensitive.  who  married  out  of obligation  but can’t  afford  a  child-like [ read  it  as  childish ]  husband  like RISHI.

# they  don’t  meet  parents  like  DEV  who  want  their  children  to  carry  their  profession.
but  SRK  will  be  panned  for  doing  the  same  b’coz  the  film  in  case  is  KABHI  ALVIDA  NA KEHNA.

  # they  don’t  read  newspapers  which  keep  up  coming  with  reports  that  PARENTS  beat  their childen  to  death  just  b’coz  they  failed  in  an  exam.
        but SRK is blamed for being so harsh to his son just b’coz the  movie  in  case  is  KABHI ALVIDA NA KEHNA.

    # they  don’t  meet  people  like  DEV  who  are  angry  for  their  wife is the  bread-winner  of  the house. more  so, considering  the  fact  that  he  deserved  much  more  than  a  primary  school football  coach.

okay,  KANK  was  deliberately  glamourised  and  fashioned  for  N.R.I.s
    okay,  KANK  had  a  slightly  weak  scripting
okay,  KANK  dragged  a  li’l  bit  towards the  climax
  
but...
that  lessen  KARAN  JOHAR’s  credibility  in  handling  the  subject.

    the  only  mistake  JOHAR  really  did  is  while  writing  SEXY  SAM’s  character.  that character should have retained to a casual flirt.

never mind, karan ! keep making such films, as long as u think u r right !

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